greenie_breizh: (soci grad: painfully aware)
Instead of getting angry about nuclear power and ranting at all of you guys, for once, I'm just going to link to a note (in French) by Dominique Voynet that's particularly articulate, I think.

I also want to link to all these photos from the aftermath of the tsunami/earthquake in Japan; they're awesome and incredible (both in the original sense of the word), and incredibly moving. I also like photos because they make the reality of something like this more palpable to me, even though it remains hard to believe when you're safe and quiet in your corner of the world. Anyway; it's terrifying just how much damage natural catastrophes can do.

And to finish, a cool story from a mom about how she dealt with slut-shaming and her 10-year-old son. I love this because it's doing more than saying, slut-shaming is wrong! and it's actually giving parents (and non-parents) some tools for how to confront this kind of stuff when it happens. I think a lot of why we still don't react to gendered harassment (whether it comes out in the form of homophobia, sexism, or slut-shaming) is that we just aren't sure how to. It's cool to see how other people do it so we can, not necessarily reproduce it exactly, but learn from it. :) Also, a nice reminder that this is why you need to talk to kids about sexuality when they're pretty young, and you can't wait until they're older - these mechanisms are set in place very early on, and if you don't address it there, it's way harder to do anything about them later, once they're well-rooted into a broader system of being in the world.
greenie_breizh: (joss is boss)
I have papers to grade and a paper to edit before I leave next week and I have two hours of free time but of course I can't do any of it because I don't have anything with me on campus. I shall thus share a bunch of links.

--

A Salon.com Joss interview. In my theory class we've been talking about the Holocaust/Shoah and the banality of evil, or rather the fact that it is very easy for average people to commit atrocities, so this part of the interview really resonated with me.

Q: And it's a similar idea of these mysterious people who seem very normal and slick, but are they ... evil?

A: Yeah. And we get to confront them with the consequences of what they do, and learn more about why they do what they do. Because very few people are entirely evil. I know it's hard to believe that after the last eight years of government in this country, but everybody has two sides, and I believe that not only are people often less or more righteous than they understand, but they often don't know what part of them is actually the good part. And a lot of the things that we prize in America might not actually be useful traits, and a lot of the things we vilify, to me, are not necessarily harmful, and that's something that's been in my work from the start.


--

Gorgeous photos by David Strick of the Dollhouse set. Can you believe the show's actually starting tomorrow? We've been talking about it for so long it's hard to believe.

--

Dan Savage's entry about his mom's death.I love at the end:
But I'm practical, like Mom, and I'd hate to see perfectly good tickets to a national tour of a hit Broadway musical go to waste. And it occurs to me that there has to be a teenage boy out there—in Chicago or close enough—who likes musicals and has a mother who loves him for the little musical-theater queen that he is. If you know that boy or you are that boy or you were that boy a decade ago or if you're that boy's mother or grandmother, send me an e-mail and I'll arrange to get these tickets to you.

--

What Teachers Make by Taylor Mali. It's a little simplistic and idealistic for a lot of reason, but I still like the overall message.

--

Speaking of, so I've finally seen Entre les murs (The Class) and it was amazing how much it felt familiar, like home, even though my own high school was nothing like that. I've personally encountered the attitudes we see in the movie from students during workshops a lot, and that's part of why I loved doing it so much, but still. It's not a whole lot of experience. Still, it spoke to me - made me frustrated and happy and it made me laugh while at the same time there's something so sad about it.

I'm going to buy the DVD - there's a lot of stuff in there that I want to pay closer attention to, about French education and the relationship between the teacher and his students, especially. I was surprised that I'd heard people mention the "gay incident" because it's so short and insignificant. The teacher addresses nothing. And I heard 'fag' said at other moments in the movie and no one, certainly not the teacher, picks up on it. So I'd gotten the impression before from other people that homophobia was poked at in the movie but to me it was more striking in terms of what is not done about it.

I'd be curious to read more about it - I know it's a mix of fiction and reality, anyone knows of a link that goes into detail about that?
greenie_breizh: (political)
We watched one of Stuart Hall's lectures tonight in class. Nothing ground-breaking, but beautifully articulate on issues of meaning-making and representation.

I also learned, not without surprise, that Stuart Hall is black.

It was funny - to realize I'd unconsciously been making that assumption we all tend to make, especially if we're white, because I've been reading stuff on LJ about cultural appropriation in writing and more generally white privilege and stuff, and it's frustrating, in a way, that I continue to make these assumptions. It makes me want to pay closer attention. Anyway, I wanted to share a few of the things I've been reading:

I Didn't Dream of Dragons and the continuation, more specifically addressed to white folks. A few selected passages that really spoke to me:

Do not tell me, or the people like me who have grown up hearing Arabic around them, or singing in Swahili, or dreaming in Bengali—but reading only (or even mostly) in English (or French, or Dutch)—that this colonial rape of our language has not infected our ability to narrate, has not crippled our imagination.

[...] Asking an author to write the Other with respect and assuming it to be sufficient, is like telling a person that being polite to everyone is sufficient in their goal of being an anti-racist ally. This is crap. Your definition of individuality, just like your definition of politeness is culture-specific.

[...] I distrust universalising statements proclaiming our inherent mutual humanity because they are uni-directional—they do not make everyone more like me, they make everyone more like you. And I do not want that.

[...] We are not used to throwing our abusers in jail after three strikes--we negotiate with our abusers being our bosses and television hosts and school teachers and peacekeeping forces and our clergy. When someone tells us we are wrong, we can't run away or banish them, we learn to live with them, and with ourselves.

[...] Decide whether you want to understand the critical lenses we use to deconstruct dominant narratives, and learn how to use them. This will probably be painful because it reveals feet of clay in dearly beloved books and authors. Is the cost worth the result for you? No one is saying there isn't still value in something offensive and flawed, but your line of tolerance may be different from someone else's. I found that, having once turned my critical reader on, I could not turn her off, and I am happy, on the whole, that this means that there are now books that I find unpalatable which previously I would have been able to enjoy.

(Also, frustrated because there was one good link that I can't find again. Will edit if I do.)


I also never got around saying on Tuesday just how fantastic it was to see so many African-Americans involved in the inauguration process, both in the proceedings and in the audience. I'm sure Obama will disappoint in some ways, but no matter what, he changed something big, and I can't help but smile at his image. Looking at this little girl's eyes, I feel like I won't ever be able to grasp the full extent of just how amazing it is that this biracial man is going to be everywhere for the next four years. (Not just him. All of them.)

Speaking of Obama and politics, much much win for his swift decision on Guantanamo (dude, he's left-handed, too? heee), and his support of Roe v. Wade today.

On that topic:
"I think what everyone ought to be interested in doing, whether they are or not, is reducing the number of unwanted pregnancies," Gandy told CNN. "Because if we reduce the number of unwanted pregnancies, it will by definition reduce the number of abortions and reduce a lot of the pain and despair that has befallen women in these economic times, who cannot afford to enlarge their families when they don't have a job and they don't have a way to put food on the table for the kids that they have now."
THAT, yes.

To go back to Obama, how gorgeous is this B&W photo?

On this note, I will leave you with a beautiful photo and great moment. Not seeing / hearing about Bush anymore is going to be quite glorious, too.
greenie_breizh: (identity)
Just finished Young Masculinities - it's a challenging book and the topic (how do boys construct their identity as boys / men, how do they juggle with contradicting ideals of masculinty?) is fascinating but also terribly complex. I came out of this book wanting to interview more boys, in particular gay teenagers or teenagers raised by gay parents (on top of single parents and couples of parents), to see how it would complete that research, maybe help us get some answers or just draw a more comprehensive picture of how boys and men struggle with their identity nowadays.

In the end you realize how difficult it is to definite mascuilinity (or feminity for that matter). What makes you a man? If it's not specific tastes, abilities, a certain perception, an essence, then what is it? Is it solely physical? How can you then explain that people can be born in the wrong body? How do you know that you're a man? We were talking in class of how identities are defined in opposition - that's always how we define ourselves - in contrast with something else. In a world that assumes (and legitimately, I believe) that there is no fundamental difference between boys and girls, it becomes all the more difficult to construct your identity. Are you less of a man because you have what we still call "feminine" qualities? Of course not. But what, then, makes you a man?


On a less philosophical level, I had a wonderful time with [livejournal.com profile] moimoietmoi this afternoon. She brought her polaroid and it was so much fun to use it - my last memories of a polaroid go back at least 12 years, my grandpa used to have one. And since I've got a whole new series of pictures to work on, I also finally kick my own ass and posted the rest of the previous series of pictures I took along the banks of the Seine and at Les Tuileries.

Go to my holdlifestillphoto LJ to see the last two batches I posted (specifically here and here). A couple of teasers :






And finally, recc'd by [livejournal.com profile] woodsong_1978 and with good reason, Like Water is an excellent Torchwood fic. It's Jack/Tosh and it's very quiet and bittersweet, exactly what I love in my TW fics.
greenie_breizh: (colortouch)
I've decided to create a journal for my photography.

From now on, I'll post all my photos at [livejournal.com profile] holdlifestill, even though I'll always mention it here when I do.

Can I be shallow and just say how much I love all the pretty icons I get to use over there?
greenie_breizh: (still life)
Just back from the movies where we saw Thank you for smoking, which was excellent, though not as hilarious as I expected it to be. I'm very disappointed by the trailer they made for An Incovenient Truth and it really doesn't make you want to go, whereas everybody should absolutely go see that movie. It's as good as it should be, anyway.

During the previews/commercials, we saw the most beautiful commercial I've seen in a while. It's for Kenzo's new frangrance, Amour, and it's just beautiful, the photographic quality of it is mind-blowing. So many stills that could be made and exhibited as photographs. The director of that video is called Patrick Guedj, and I'm off to see what else he's done.

Below is the TV spot - the movie theater version is much longer, doesn't feature the couples but three (or four?) different countries, and it's even more amazing because it's longer therefore has more images (duh), but already this gives you a good peep at the feel of it.

Portfolio

Jun. 17th, 2006 03:38 pm
greenie_breizh: (still life)
Public post since it's now official :

My photography portfolio is online.

I've corrected slight mistakes and rearrange the pictures in order of viewing in the gallery. English version still not up, I'll probably work on it early July.

And new pictures coming soon, because I did a whole lot of scanning last weekend!

Profile

greenie_breizh: (Default)
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